The Regulation of Violence

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Eine Zeichnung/Grafik, die die Struktur des Projekts darstellt

The aim of this workshop and publication was to analyze how deregulation continues to regulate the social with a focus on how gender and “otherness” are produced and which socially resistant practices hold relevance within such scenarios – such as artistic practices, queerness, political activism etc. – and through this to open up a politicized space for analysis, creating a history together, mapping how social divisions have been used as a landscape for violence and ultimately for economic productivity, as the contribution to a continuous platform for discussions, analyzing the influence and continuities of capitalist imposition and nationalistic policies onto the bodies and social landscape worldwide. The workshop took place as a performative articulation of theory, encompassing lectures, artworks, screenings, and discussions (in English and German), so that virtual political space was brought to a concrete local space at the VBKÖ on October 3rd, 2009.

The project built a three-part platform for questioning those points within contemporary political and artistic practices – as it is art, culture and education that can intervene in the “reproduction” of ideologies. Therefore, reproductive labor theory was taken from feminist theory to analyze how art can intervene into political and social conditions. The project networked internationally active protagonists and established a specific space for planning strategies of resistance, for future meetings, talks, exhibitions and publications on contemporary questions of gender, queer and political theory.

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Lina Dokuzovic

Lina Dokuzovic is an artist and PhD student at the Academy of Fine Arts Vienna. Her artwork, research and writing, predominantly as a series of diagrammatical visualizations of theory, analyze the mechanisms of appropriation, privatization and militarization of structures, such as the body, education, culture and land.

The VBKÖ celebrates its 100th anniversary this year as the first association of women artists in Austria. Founded in 1910, as a reaction to the omnipresent sex-specific discrimination of women artists, the VBKÖ is now considered the driving force behind the first women’s artistic liberation movement in Austria. On its historic premises, international exhibitions, projects and events with a feminist alignment have been organized continuously . The aim was – and is – to change social concepts of inequality within the prevailing power structures.

https://www.vbkoe.org/